Ignited Memories, The 1875 Matchbox Scrapbook
The scrapbook, a unique piece from 1875, belongs to collector Winston Sterling. The creator and the origin of its assembly remain a mystery. It features cutouts from various matchboxes, primarily of European brands. These brands, integrated into the album's compositions, include Amphoux, Caussemille, A. Roche of Marseille, Compaigne Generale des Allumetes Chimiques from France, Giacomo de Medici from Milano, Italy, La Linda, José Yurrita and Co. from Spain, and possibly a domestic brand, Las Orientalas. The scrapbook also displays chromolithographs related to two world expositions held in Paris in 1867 and Vienna in 1873.
Regarded as an ephemeral piece, the significance of the matchboxes fades as the last match is burned. Ephemeral items, by definition, lose relevance upon fulfilling their primary purpose. Yet, the captivating imagery in this collection has spurred interest in similar activities. In a footnote from an article published in ‘La Tribuna Popular’ (Issue No. 2561), titled ‘Of the Industries and Industrial Development in the Oriental Republic of Uruguay’ from 1888, the author, Dr. Wónner, notes: Matchboxes serve additional purposes. They become part of albums, collections, and I’ve even seen them repurposed as wallpaper. For example, in Mr. C. Cave’s residence in Licornia, Tuscany, an entire study — from furniture to walls — was adorned with these boxes.
This text further emphasizes that the inception of matches or ‘wooden sticks’ can be traced back to around 1809, despite earlier developmental phases. These innovations were spurred by the burgeoning science of chemistry, with significant advancements in match design observed up to approximately 1833. The year 1875, indicated in the album, highlights the paramount role matches played during that period. While perhaps not a novelty, they symbolized the era’s modernity, progress, and the profound impact of science and technology on human life.
In conclusion, the scrapbook’s title, ‘Fosforico’ epitomizes the exquisite expressiveness of its unknown creator. Beyond the evident meticulous craftsmanship, their flair for creating evocative compositions shines through. Every image speaks to this skill, but the monograms, particularly on page 33, provide a distinctive demonstration. Of particular note is the album’s cover, adorned with the cutout inscription: ‘Patience and Persistence’ encapsulating the essence of the collection’s ethos.
By Soc. Rosana Malaneschii.